Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Leon Bakst
Zinaida Gippius

ID: 93378

Leon Bakst Zinaida Gippius
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Leon Bakst Zinaida Gippius


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Leon Bakst

Russian Art Deco Designer and Illustrator, 1866-1924  Related Paintings of Leon Bakst :. | Costume design for the dance Narcisse | Portrait of Zinaida Hippius | Gladiolen | Porjet de costume pour une odalisque de ballet shenerazade,crayon aquarelle et peinture doree (mk32) | Terror Antiquus (mk19) |
Related Artists:
Jewett, William Smith
American, 1792-1874
Thomas Hearne
British Painter, 1744-1817 English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'.
Eunice Pinney
American Folk Artist, 1770-1849 She was a self-taught artist who, from about 1809 to 1826, devoted part of her time to producing a wide range of subjects in watercolour: landscape, genre, historical, biblical, allegorical and literary. Her distinctive style is solid and robust, with a strong sense of contrast and design. Problems in creating realistic form are apparent: faces are largely expressionless, and figures are stocky and two-dimensional. However, these difficulties are compensated for by fresh vigorous colour, bold pattern, artful composition and varied subject-matter. Pinney displayed the primitive artist's tendency to borrow and model from the best sources at hand: The Cotter's Saturday Night






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